Audio Mixer: King Tubby. Whether or not these "lost treasures" were mixed by King Tubby or not is debatable. Truthfully, they probably weren't, since they just don't sound Crack Attack - Broken Bones!* - Trader In Death his work. Following his murder inseveral master tapes were "borrowed" from Tubby's studio, or at the very least, came up missing, and these tapes may well be the source for this recording.
This is not to say that these dub mixes are bad, because actually they're really quite pleasant, and the sound is great, and no one will have wasted Jumpers Dub - King Tubby - King Tubbys Lost Treasures money by getting this, unless, of course, you're a King Tubby collector. So, in the end, enter at your own risk. Add to Cart. King Tubby. How to Order. International Shipping. Return Policy. Order Items Jumpers Dub - King Tubby - King Tubbys Lost Treasures Catalog.
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Release Date October 24, Genre Reggae. Track Listing. Dub from the Roots. He is often cited as the inventor of the concept of the remix that later became ubiquitous in dance and electronic music production. Singer Mikey Dread stated, "King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That's why he could do what he did".
King Tubby's first interaction with the music industry came in the late s with the rising popularity of Jamaican sound systemswhich were to be found all over Kingston and which were developing into enterprising businesses. As a talented radio repairman, Tubby soon found himself in great demand by most of the major sound systems of Kingston, as the tropical weather of the Caribbean island often combined with sabotage by rival sound system owners led to malfunctions and equipment failure.
It was here that he built large amplifiers for the local sound systems. Inhe built his own radio transmitter and briefly ran a pirate radio station playing ska and rhythm and blues which he soon shut down when he heard that the police were looking for the perpetrators.
Tubby began working as a disc cutter for producer Duke Reid in Before the advent of dub, most Jamaican 45s featured an instrumental version of the main song on the flipside, which was called the "version". When Tubby was asked to produce versions of songs for sound system MCs or toastersTubby initially worked to remove the vocal tracks with the faders on Reid's mixing desk, but soon discovered that the various instrumental tracks could be accentuated, reworked and emphasised through the settings on the mixer and primitive early effects units.
In time, Tubby began to create wholly new pieces of music by shifting the emphasis in the instrumentals, adding sounds and removing others and adding various special effects, like extreme delays, echoes, reverb and phase effects. King Tubby's production work in the s made him one of the best-known celebrities in Jamaicaand would generate interest in his production techniques from producers, sound engineers and musicians across the world.
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