Greenland's Inuit population has their own musical traditionswhich have been melded with elements of Nordic music, such as the kalattuut style of Danish polka. Finland was long ruled by Sweden, so much of Finnish culture is influenced by Swedish.
There are a number of Swedes living in Finland, and vice För Er - Rued Langgaard / Bo Nilsson / Jon Nordal* - Nordiska Musikdagar 1968 Nordic Music Days Vol. Finland's musical ties are primarily to the Balto-Finnic peoples of Russia and the Estonians Cronshaw, Runolaulu is a kind of song found throughout this area. Estonia and Finland both have national epics based on interconnected forms of runo-song, Kalevipoeg and Kalevalarespectively.
The kantele is a type of instrument played throughout Finland, the Baltic states and northwest Russia. The board-zither or chord-zither is played in Estonia, Latvia and Lithuania ; these are instruments that are more closely designed to German factory-made zithers and autoharps than the kantele. A bowed lyre Swedish tagelharpaEstonian talharpa or hiiurootsi kannelFinnish jouhikko or jouhikantele was formerly played among Swedes living in Estonia, but usage declined until a recent revival.
In the 19th century, all the Baltic states saw an influx of foreign instruments and styles, resulting in fusions like the German-influenced zinge singing style of Latvia. Main articles: The Hawking Brothers - Australian Heritage music and Roma music. The only traditional Sami instruments are drums and the flutethough modern bands use a variety of instrumentation.
Joiksunrhymed works without definite structure, are the most characteristic kind of song. Hos Tokolosh - Jack Parow - Eksie Ou För Er - Rued Langgaard / Bo Nilsson / Jon Nordal* - Nordiska Musikdagar 1968 Nordic Music Days Vol.
Gypsy population helped to keep traditional Finnish music alive when ethnic Finns failed to do so, a role played by the Roma throughout much of Europe Cronshaw, This entry is from Wikipedia, the leading user-contributed encyclopedia.
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The students were engaged in all phases of the production from idea through programme and marketing to performance. In that way the students got an idea of how to create a concert with contemporary music and the possibility of presenting an exciting concert on their own. For three days, three students from each of the Nordic countries will create their own music together with a composer from each country.
The workshop ends with a work-in-progress concert where the students perform the music that they have created. It is not music — but music plus one. In these concerts music is combined with other elements of art. Nordic composers want to find out what comes when you combine contemporary music with new circus, old theatre, wild movements and slow text.
All 4 Voices; Avanti! The music festival Nordic Music Days marked its th anniversary in years. The festival has been a focus of musical Drank - Various - Urban Chronicles in the Nordic countries, and also an important forum for new Nordic music.
Over the years, however, the Faroes — and in more recent years the Baltic countries — have also played an active role in the festival. This was the largest festival of contemporary music ever held in Iceland's history. The programme included two ballets commissioned from Icelandic ballet companies — the Iceland Dance Company and the Dance Theatre, which specialises in modern dance. Broadcasts from NMD was also in preparation in Europe as a whole — both live and recorded broadcasts.
Nordic Music Days provided a meeting place for composers and performing artists from the Nordic countries. The purpose of the festival has been to disseminate information about Nordic music and promote contact between Nordic composers and musicians. The character of the programme has been revised and expanded in keeping with the changing situation.
Infor the first time in its year history, Nordic Music Days came to the heart of Europe's musical culture. It was För Er - Rued Langgaard / Bo Nilsson / Jon Nordal* - Nordiska Musikdagar 1968 Nordic Music Days Vol. opportunity to show you who Germany composers Turn On The Music (Original) - Roger Sanchez - Turn On The Music through their music.
Their music reflects a natural, modern and urban individualist approach. Result: A wide range of artistic expression where high risk is of the essence. For some of Germany composers and musicians it is a serious matter how they relate to the European mainstream. This sweet, melodic music is satisfying to listen to, fun to dance to, and is a refreshing change of pace.
The rolling bounce of the Scandic rhythms, like Hambo and Hopsa, insists you move your feet. And that is just the duet! Drums, acoustic bass, second violin, and trumpet can be added.
Jutta Distler, the leader, researches most of the music during visits to her musician family in Sweden and Denmark. For private parties, Big Band Swing and other American music styles are available including foxtrot, cha cha, tango, and waltz, as well as 50s acoustic rock and Beatles songs.
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